Miraphone Tuba Serial Number Location

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Miraphone model 191 5/4 BBb tuba Musical Instruments For Sale in PHOENIX. The serial number is in the upper 9,022,3xx range. Included is a new Gard tuba gig bag. Where is the serial number on. I was told these are really the only three places that the serial number would be on a Miraphone Euphonium. Mirafone Serial Number List. It is perfect for a tuba quartet, where a distinct voice is needed, and it was my mainstay when I played in the TubaMeisters. This horn was the road demonstrator for the Yamaha reps in the first year of production, and this instrument's serial number indicates it's the 72nd horn of its kind. 2013-01-25 Unpacking the second MI57F Contrabass trombone delivered by music123.com. The first one had severe dents on the bell - I returned it.


Determining the date of a York instrument made in Grand Rapids, Michigan is rather problematic because no records are available.Apparently, somewhere during the transfer of the company from Carl Fisher to Tolchin Instruments or the subsequent purchase by Martin Tolchin, the original records were lost, misplaced, or destroyed. This is further compounded by the existence several companies that have used the name 'York' since then, including Boosey and Hawkes, the American company Brook Mays and the current manufacturer Schreiber & Keilwerth in Markneukirchen, Germany. Since Carl Fischer chose to outsource some York models and use assemblies from other companies under their control (such as Blessing), trying to make sense of anything not built in Grand Rapids has been compared to trying to herd cats.
Grand Rapids Band Instrument Company instruments, although made on the same York manufacturing lines by the same craftsmen(8), apparently had their own set of serial numberings(7).
This guide, then, confines itself to York instruments made in the Grand Rapids factory. Following the list are the facts and assumptions which were used to create it. This guide was started using details of just a few hundred surviving York instruments. There is now an expanded information base of over 2,600 York instruments to reference, starting with'York & Son' in 1887 and continuing through several name changes until the Grand Rapids plant was closed in 1971.
For more information, go to the Detailed Record of York Instruments. This page lists known and reported York instruments as a service to those researching York and owners of York instruments. The source of the information is listed, and wherever possible, the serial numbers have also been verified visually. Instruments made after Carl Fischer took control of York are included, but obvious conflicts in numbers are confined to their own section.
If you note any discrepancies, or have additional information concerning this company, please contact us here at Horn-u-copia.
Additionally, we would be grateful to anyone who owns a York horn not listed to contact us with the name, type, cities, and serial number (etc.). It would be nice to build our lists using horns other primarily than just those that are being sold.

yearnumber
18971
1898300
1899800
19001800
19013300
19024800
19036800
19048800
190510800
190613300
190715800
190818300
190921000
191024000
191127000
191230000
191334000
191438000
191542000
191645000
191748000
191851000
191954000
192057500
192161500
192265500
192369500
192474000
192578500
192683000
192787000
192891000
192995000
1930100000
1931103500
1932107000
1933110000
1934113000
1935115000
1936117000
1937119000
1938120500
1939122000
1940123500
1941125000
1942128000
1943
1944
1945131000
1946135000
1947139000
1948144000
1949150000
1950158000
1951167000
1952175000
1953182000
1954189000
1955195000
1956200000
1957205000
1958211000
1959217000
1960223000
1961229000
1962235000
1963241000
1964246000
1965251000
1966256000
1967261000
1968265000
1969269000
1970272000
1971275000

Notes On Creating The Above


Cookie monster r kelly.


- Mike Keller
My primary source for the much of the initial information contained here was Dr. John Swain’s 'J.W.York Research Site'. Dr. Swain, unfortunately, passed away in 2003 from a battle with cancer. When California State University, Los Angeles stopped maintaining his site, and with the data I had collected, I attempted to recreate the dating work he had done using his own pioneering work while adding additional instrument data (including saxophones), patent research, new information that has come to light, and information gleaned from Horn-u-copia. Dr. Swain had cautioned that a five year spread on either side (+-) would be most accurate when dating an instrument using his original work. I am now fairly confident that the list should be accurate within a year or two. These are the facts and assumptions with which I used in creating it:
As with Dr. Swain, I also used these as assumptions:
The drop in production for 1915-16 is based on similar drops among the other manufacturers as a result of World War I. The slow decline in the late 1920’s and early 1930’s is based on similar fluctuations among other manufacturers. This includes a sizable drop during the years of the Great Depression and a steady growth in the latter half of the 1930’s. Few of the manufacturers produced instruments during the last 2-3 years of World War II.All of the manufacturers exhibit a dramatic growth in production immediately following World War II.
The numbers for 1958-1971 are very subjective. They were created by taking the last number I have obtained in what seems to be an unbroken sequence of serial numbers (up to cornet 308783), and distributing them until the factory was closed in 1971, regardless of manufacturing source. Certainly there were relationships with Blessing, Boehm and Meinl, and many more manufacturers once Carl Fischer took over the company.
I have chosen not to address any volume and run rate issues which occurred in York’s contemporary advertising. These were considered by Dr. Swain to be 'anomalies'. In my opinion, since we know for a fact that York was involved in several tradenames (such as Grand Rapids Band Instrument Co), unlisted brass manufacture (why would they need workmen and a foreman in the 1890’s?) and also other activities (drums (4), woodwinds, and even strings appear in their various catalogs, along with other instruments they made, like bugles) it seems beyond the scope of this list to attempt to reconcile it.


In 1887 the company was renamed 'York & Son' in recognition of JW York’s infant son, Charles E. (SW)
'By 1890 York was operating a repair plant and making a few small instruments. (cornets and trombones). New models were added until 1898 when the company was making a complete line of cup mouthpiece brass instruments.'(S45)
In 1894 York hired workmen from Courtois and Besson (S21), so they were obviously involved in brass manufacture of some sort. Three instruments have come to light bearing the 'York & Son' name as makers, as well as two 'DeMaer' cornets marked with 'York & Son' as agents. Langwill has no mention of any 'DeMaer', either in Paris, nor anywhere else (NLI). It was my assumption then, that these may have been, in fact, of early York construction, although a 'DeMaer' Cornet has surfaced which does not bear the York name.
In 1897 Alfred J. 'Bill' Johnson becomes company foreman (SW, MK).
In 1898 the company is renamed 'York & Sons' in recognition of JW York’s second son, Frank W. (SW). The oldest 'York & Sons' instrument that I am aware of is a 'Weldon Model' cornet bearing serial number 1168. It then seems reasonable that IF the company was already serializing their products, they must have restarted very close to 1898. They could not have started this run any earlier due to the name change. The numbering seems consistent beyond this point, so I have chosen to begin this list with the 'York & Sons' marked horns. This sequence continues until the plant is closed.
The company, with experienced personnel, is well positioned to have an established run rate as it enters the twentieth century, not only having the main office and factory in Grand Rapid, Michigan, but also a branch office in Chicago (YMJ). In fact, the 1898 edition of York’s Musical Journal contains references to York having built and sold Eb soprano and Bb cornets, band and orchestra horns, baritone and slide trombones, Eb and BBb bass. Soloist Steve Crean 'agrees to select and test all Cornets made by us'. It also describes hiring a Mr. W. A. Goble as head of a testing department and being responsible for testing each BBb bass, Eb bass, baritone, and slide trombone .
In 1903 the 'Professional' model cornet was announced and put into production (1). The earliest such cornet on my information base is numbered 7672.
There is also cornet numbered 8497, which engraved as being presented on Christmas, 1903, so it was undoubtedly made before that date.
The oldest instrument having the High/Low Pitch change loop engraved 'pat July 12, 1910' on my information base is a euphonium numbered 24356. They would not know of the actual status change of the patent (and therefore marked 'pending') until July 12, 1910, so that any horn so marked should have not been made before the July date.
York advertised that '1912 was largest volume year in the 30-year history of the company, but 1913 will be larger' (2)
In 1913 came the announcement of the Al-Tru cornet (3), the oldest of which I am aware is numbered 36738.
Since most of the 100xx series 'Couturier Wizard' cornets are not marked with Couturier’s patent (Sep 23, 1913) , I have placed them in 1913. The normally numbered 'Couturier Wizard' cornets I have placed in 1914.
In 1926 the company name changed to York Band Instrument Company (S24), and the first such engraved instrument that I have recorded is numbered 87787, which now corresponds to the 1926 date.
York was awarded two saxophone patents concerning tone holes in the later part of the 1920s: 1690862 and 1673195. York alto saxophone 92259 is reported to have unusual tones holes, and the marking 'pat. apld. for'. These patents were applied for in 1925 and 1926. and granted Nov 6, 1928, and Jun 12, 1928, respectively.
Instrument 91818 was made in 1928 and was dated though contact by Dr. Swain with the original owner.
'Bill' Johnson's Airflow design patent for trumpets and cornets was filed Nov 24, 1939, and issued Apr 2, 1940. The earliest such horn that I have recorded is cornet 120319, which is constructed to this design including a reverse-rolled rim, but is not marked 'Airflow'. The latest horn marked 'Airflow' is trumpet 124155, which now corresponds to 1940. In December, 1940 York was sold to Carl Fischer Musical Instruments. (SW) but Bill did not transfer his design patent along with the company (6) the result of which I can only assume is the cause of conventional cornets being engraved with the 'Airflow' name in the 1950s.
In 1950 serial numbers were in the 150,000 range (S10).
In 1957, a cornet and a trumpet, both with the number 207xxx, were chosen by the original owner at the plant from current production, per the 2nd owner. In 1970, York is sold to Tolchin Instrument Company (S24).In 1971, Tolchin Instrument Company closed the factory. (SW)
Proprietary rights were ultimately purchased in 1976 by Boosey and Hawkes. (SW)
Dr. John Swain’s site had given the following information about particular instruments:

  • 91818 @ 1929: Contact purchased the instrument in 1929 and it was one year old at the time.
  • 109xxx @ ca. 1933: An instrument with this approximate serial number was dated through contact with the original owner.
  • 112xxx @ ca. 1937: An instrument with this approximate serial number was dated through contact with the original owner.
  • 120xxx @ ca. 1929: An instrument with this approximate serial number was dated through contact with the original owner. (note: again, particularly with it’s place in the list, I can only assume that this is in error and is properly 1939)
  • 186549 @ 1953: This is based on an invoice for a part for an instrument with this serial number. (5)

Since most of these serial numbers are only approximate, I used them as benchmarks in the same places on my list that Dr. Swain had on his.
The record, itself, is broken into four sections:

  • York instruments from 1887 — 1971, which fit into the 1 — 275000 serial number sequence.
  • York instruments which, while they may have numbers that fit into the above sequence, were clearly made much later than their number would indicate. Also included in this list are instruments likely not made in Grand Rapids, some instruments that were at least partially constructed by Blessing, instruments that were made in West Germany by Boehm and Meinl which Carl Fisher imported under the label York Master (9) and other instruments that bear numbers outside the subject serial number range. Also included are instruments possibly made by other makers, but which have some interest to the study of York instruments.
  • York instruments which are likely made during the period in study, but are not serialized.
  • Grand Rapids Band Instrument Company instruments. With enough information, perhaps eventually we may be able to reconstruct a list for these, too.

Anomalies and items which may require future revisions

Miraphone 186 tuba
  • 'Couturier Wizard Model' cornets which bear serial numbers in the 10000 range. This number would indicate a 1904 manufacture date, yet Ernst Couturier’s own patent wasn’t until 1913. Perhaps an unused block of earlier serial numbers was used for the initial run of these instruments. Because of this, I have placed them into 1913.
  • York curved bell soprano saxophone 50012, whose number would indicate a 1917 manufacture date, but which the seller stated 'comes with an original authenticating letter from the York company [and so prior to 1972] in response an inquiry that states the saxophone was new in 1918'.
  • York Bb tenor saxophone 105483, whose number would indicate a 1932 manufacture date, but which is engraved '16/Cleveland Board of Education/6-25-30'.
  • 9. R. W. Denney, Jr., 'Rick’s Tuba Page/My Tuba Collection'. Web page, Mar 9, 2007.www.rickdenney.com 23 April, 2008.
  • YMJ. J.W. York and Sons. York’s Musical Journal, Vol. XI, No.1, 1898

Primary Source:
Dr. John Swain

Miraphone 191 tuba

Update 1: 6 Jun 2010: Add “York & Son” years to beginning of guide, which begins start of serialization.

Update 2: 17 Oct 2011: Make adjustments to years 1906-1915 for the first appearance of the 1910 High/Low Pitch loop patent 963768, build of the Couturier 'Wizard' in 1913-1914, sales receipt & warranty dated 8/26/1911 for cornet 28582, and license of the William S. Haynes Drawn Tone Holes patent 1119954, which was issued Dec 8, 1914. Adjustments also to years 1929-1940 to accommodate Feather-Touch instruments which are marked 'Pat Apld For”. Patent number 1922685 was filed on Sep 26, 1931 and was granted on Aug 15, 1933.

Updated: 22 Oct 2011

Unsold$6,650.00Buy It Now, $185.00 Shipping, 14-Day Returns, eBay Money Back Guarantee

Seller:wichitaband(5,856)99%, Location:Wichita, Kansas, Ships to: Worldwide, Item:233084724475WICHITA BAND INSTRUMENT COMPANY 2525 East Douglas Avenue Wichita, KS 67211 Tel: (316) 684-0291; FAX (316) 684-6858 Rare & Superb Alexander CC Concert Tuba, model 163CC. Five rotary valves (three RH and two LH), the body, slides and center of the instrument in gold-brass, the bell (only) in yellow brass. Bore size is 205 mm. Bell diameter is 450 mm. Good lacquer finish (worn maybe 2%), no major dents, small dent to the back of the instrument, going into the end-bow. Previously owned by a conservatory in France. No serial number, but our guess is that it's from about 1995 - 2000. New retail price is 13,700 Euros ($16,000). This one's a 'best buy' at $6650. ****************************************************************************************************** Wichita Band Instrument Company is a small musical instrument emporium located in the center of the USA. We’ve been in business since 1953 and have had the same owner since 1963. Originally we were a repair shop that specialized in woodwind and sax restoration. Today we have 16 employees including seven of the finest repair technicians in the country. Virtually ALL the items we sell have been fully reconditioned in our own shop, although we do sell the occasional unrestored historical instruments each year. Wichita Band’s service warranty is the same as it’s been for more than thirty years: ALL new and all used instruments sold by Wichita Band Instrument Company come with our 24 month service warranty. It’s in addition to any factory guarantees. For two full years, we will repair or replace, whichever in our estimation is the more advisable, pads, corks, springs or other parts required, at no charge to the customer. The customer is responsible for shipping and insurance charges. Cases and plating finishes are not covered by our service warranty but are sometimes covered by factory guarantees. Wichita Band’s service warranty does cover dents and dings to your sax. If your instrument sustains damage to the body, end bow, neck or bell, we’ll burnish out the dents and make it look “like new” again. The cost you is absolutely nothing except shipping and insurance charges. Wichita Band Instrument Company maintains a repair department capable of restoration work of the highest quality. Even though repairs are essentially free for the first two years, after that period has expired, we remain at your service to maintain and repair your musical equipment forever. It’s our “service after the sale” promise and has been since 1953! In the event that a customer requires service under factory guarantees or Wichita Band’s service warranty, the item must be returned to us and not directly to the manufacturer. Anything we sell can be sent to you for a short approval period without obligation. The customer is responsible for shipping and insurance and must pre-pay back to us any freight charges on returned equipment. International shipping is available. Returned items will be refunded within 2 weeks of receiving the item. We’re happy to send any instrument “on approval” for five days, but ask the prospective buyer to pay shipping both ways and to please reimburse us for clean-up and restocking charges (2.95%) on any returned instrument. Ebay authorized payment methods: PayPal or credit/debit card processed through our internet merchant account. Buyers outside of the USA are responsible for all import duties and customs clearance charges in their respective countries. We may refuse paypal and/or credit card payments from some countries. We’re happy to correspond with musicians, players, parents and enthusiasts of all types. Written appraisals are always available, but please don’t write or telephone and ask “what’s granny’s baritone sax worth?” Do an Ebay search and you’ll learn more than we could ever tell you. Feel free to call or e-mail for any additional information. Wichita Band Instrument Co. 800-835-3006 payment line (USA and Canada), 316-684-0291 outside the USA and Canada order line, and info line.Condition:Used, Condition:Superb example, good valves, beautiful Lacquer finish!, Brand:Alexander, Bell Material:Brass, Model:163CC, Key:CC, Finish:Lacquered, Country/Region of Manufacture:Germany, MPN:Does Not Apply, Skill Level:Professional

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